Modern Jewelery

The modern jewelery movement began in the late 1940s at the end of World War II with a renewed interest in artistic and leisurely pursuits. The movement is most noted with works by Georg Jensen and other jewelery designers who advanced the concept of wearable art. The advent of new materials, such as plastics, Precious Metal Clay (PMC) and coloring techniques, has led to increased variety in styles. Other advances, such as the development of improved pearl harvesting by people such as Mikimoto Kōkichi and the development of improved quality artificial gemstones such as moissanite (a diamond simulant), has placed jewelery within the economic grasp of a much larger segment of the population.

The "jewelery as art" movement was spearheaded by artisans such as Robert Lee Morris and continued by designers such as Gill Forsbrook in the UK. Influence from other cultural forms is also evident; one example of this is bling-bling style jewelery, popularized by hip-hop and rap artists in the early 21st century.

The late 20th century saw the blending of European design with oriental techniques such as Mokume-gane. The following are innovations in the decades stradling the year 2000: "Mokume-gane, hydraulic die forming, anti-clastic raising, fold-forming, reactive metal anodizing, shell forms, PMC, photoetching, and [use of] CAD/CAM."

Artisan jewelery continues to grow as both a hobby and a profession. With more than 17 United States periodicals about beading alone, resources, accessibility and a low initial cost of entry continues to expand production of hand-made adornments. Some fine examples of artisan jewelery can be seen at The Metropolitan Museum.